The Makeup
This makeup proved to be the most complex out of all three films, and was the most time consuming to achieve on set, taking over three hours to complete one patch on the leg.
I needed to create realistic looking scales, and after testing paints, I realised that textured fabric would be the most efficient and effective way of creating this. I adhered the fabric to the skin using spirit gum, then used nose and scar wax around the fabric to cover the edges and to blend it seamlessly into the skin, leaving the inner section slightly raised to give the impression of peeling flesh. To give more depth and colour to the area I used an array of powder eyeshadows, grease paints and alcohol activated paints on and around the prosthetic with a stippling sponge and my fingers. Finally, fake blood was added to the 'wound', focusing primarily on the edges of lifted flesh to create a realistic peeling effect.
